
Under strict terms of non-disclosure, Greenpeace approached Airside to develop an identity for Airplot. Once the project went public, Greenpeace would need to attract support for their cause as well as defend itself against detractors. It would unquestionably be a highly controversial and fast moving news story, so instant communication of the principal idea was paramount.

Acknowledging that land was central to the protest, Airside created an identity based on the colours and shapes synonymous with the rural fields Airplot seeked to occupy. Abstracting the iconic imagery of patchwork fields viewed from the air, we developed the Airplot typeface: an alphabet of letters and blocks consisting of three weights (thin, medium and thick), which were hand-printed onto paper and scanned back into the computer.
The typeface was then used to compose blocks of type that blended together to look like patchwork fields, thus creating a graphic language that can communicate Airplot’s messages and appeals. By being instantly linked to the Airplot identity, the typeface allows for fluid and consistent transmission of new information as the protest develops.


1 x Typeface (consisting of 3 weights, Airplot Thick, Medium and Thin)
Identity assets (T-shirt design, online advertising)

Paul Earnshaw, Greenpeace







